{"id":5716,"date":"2016-11-28T11:34:50","date_gmt":"2016-11-28T01:34:50","guid":{"rendered":"http:\/\/project.theownerbuildernetwork.co\/?p=5716"},"modified":"2025-11-05T12:37:57","modified_gmt":"2025-11-05T02:37:57","slug":"how-to-build-a-cigar-box-guitar","status":"publish","type":"post","link":"https:\/\/theownerbuildernetwork.co\/project\/2016\/11\/28\/how-to-build-a-cigar-box-guitar\/","title":{"rendered":"How to Build a Cigar Box Guitar With 3 Strings"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">At a Glance<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>What you\u2019ll build: 3\u2011string strike\u2011through cigar box guitar (neck passes through box)<\/li>\n\n\n\n<li>Time: 2\u20134 hours (first build); 1.5\u20132 hours (experienced)<\/li>\n\n\n\n<li>Estimated cost: $35\u2013$70 (box $5\u2013$10; tuners $12\u2013$30; wood $10\u2013$20; misc $5\u2013$10)<\/li>\n\n\n\n<li>Difficulty: Beginner\u2013Intermediate<\/li>\n\n\n\n<li>Tools: Saw, drill + bits, screwdrivers, sandpaper, file; optional chisels<\/li>\n\n\n\n<li>Supplies: Cigar box; 100cm hardwood (neck); hinge (tailpiece); threaded rod (nut + bridge); 3 strings<\/li>\n\n\n\n<li>Tuning: Open G (G\u2013D\u2013g) is the most common; also D\u2013A\u2013d or g\u2013b\u2013d<\/li>\n\n\n\n<li>Safety: Wear eye protection; clamp workpieces; pre\u2011drill hardwood; measure twice, cut once<\/li>\n<\/ul>\n\n\n\n<figure class=\"wp-block-image\"><img fetchpriority=\"high\" decoding=\"async\" width=\"625\" height=\"468\" src=\"http:\/\/project.theownerbuildernetwork.co\/files\/2016\/11\/Cigar_box_guitar_collection4.jpg\" alt=\"Cigar Box Collection\" class=\"wp-image-5741\" srcset=\"https:\/\/theownerbuildernetwork.co\/project\/files\/2016\/11\/Cigar_box_guitar_collection4.jpg 625w, https:\/\/theownerbuildernetwork.co\/project\/files\/2016\/11\/Cigar_box_guitar_collection4-300x225.jpg 300w\" sizes=\"(max-width: 625px) 100vw, 625px\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Why a Cigar Box Guitar?<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Before we start into the actual construction of a Cigar Box Guitar, I should probably explain what a CBG actually is. Like the name suggests, a CBG is a small, playable guitar with a body constructed from a cigar box.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Cigar Box Guitars have a long and colourful history dating back to the mid 19<sup>th<\/sup> century. Thanks to the readily available and inexpensive materials, cigar box guitars, fiddles and banjos were instrumental in the formation of the blues as most of original performers were poverty stricken African Americans without enough money to buy \u201creal\u201d instruments.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Over the last few years thanks to the emergent DIY culture, Cigar box guitars have had a revival. Unlike a normal six string guitar, CBGs are easy to make, easy to learn and can be put together for very little money. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">They&#8217;re an ideal project to make with the kids, and they also make great presents for anyone even slightly musically inclined. This guide covers a simple strike\u2011through design with minimal parts.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Still not convinced? Hop over to <a data-lasso-id=\"747\" href=\"https:\/\/www.youtube.com\/watch?v=iIIEhH7xOXg&amp;feature=related\">YouTube<\/a>\u00a0and take a listen to some of the people who have constructed their own guitars. If that doesn&#8217;t convince you, nothing will.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Building a Cigar Box Guitar<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">This particular style of cigar box guitar is referred to as a strike-through design, meaning that the neck goes all the way through the body. Strike-through guitars are the easiest to build and also require the fewest components.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full alignnone wp-image-5717\"><a href=\"https:\/\/theownerbuildernetwork.co\/project\/files\/2016\/11\/Cigar-Box.jpg\"><img decoding=\"async\" width=\"940\" height=\"788\" src=\"https:\/\/theownerbuildernetwork.co\/project\/files\/2016\/11\/Cigar-Box.jpg\" alt=\"Materials needed for cigar guitar box\n\" class=\"wp-image-46708\" srcset=\"https:\/\/theownerbuildernetwork.co\/project\/files\/2016\/11\/Cigar-Box.jpg 940w, https:\/\/theownerbuildernetwork.co\/project\/files\/2016\/11\/Cigar-Box-300x251.jpg 300w, https:\/\/theownerbuildernetwork.co\/project\/files\/2016\/11\/Cigar-Box-768x644.jpg 768w\" sizes=\"(max-width: 940px) 100vw, 940px\" \/><\/a><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\">What Are the Materials Needed to Build a Cigar Box Guitar?<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Cigar box (wood or laminated cardboard both work)<\/li>\n\n\n\n<li>Hardwood neck blank, 100cm long (approx. 2\u20132.5cm thick x 4\u20135cm wide; e.g., jarrah, maple, oak)<\/li>\n\n\n\n<li>Ornamental hinge (tailpiece)<\/li>\n\n\n\n<li>Threaded rod (two short lengths for nut and bridge), or bolts<\/li>\n\n\n\n<li>3 steel guitar strings (for Open G: use strings 3, 4, and 5 from a medium set)<\/li>\n\n\n\n<li>Optional: grommets\/bushings for sound holes<\/li>\n\n\n\n<li>Optional: stain\/varnish or wax polish for finishing<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Estimated cost: $35\u2013$70<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">What Are the Tools Needed to Build a Cigar Box Guitar?<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Coping\/keyhole saw<\/li>\n\n\n\n<li>Drill and bits (1\/16&#8243;\u20133\/32&#8243; for string holes; up to 1\/2&#8243; for sound holes)<\/li>\n\n\n\n<li>Screwdrivers (to match your screws)<\/li>\n\n\n\n<li>Sandpaper (coarse to fine)<\/li>\n\n\n\n<li>Wood\/rat\u2011tail file<\/li>\n<\/ul>\n\n\n\n<h4 class=\"wp-block-heading\">Recommended:<\/h4>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Sharp chisels<\/li>\n\n\n\n<li>Bit gauge<\/li>\n\n\n\n<li>Clamps<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">How to Build a Cigar Box Guitar?<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Shaping the Neck<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">The neck is the backbone of your CBG. It holds your strings, passes through the box, and sets the tone and feel of the finished instrument.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Step 1: Cut and Shape the Neck<\/h4>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Cut the neck to 85\u201390cm (classic is 34&#8243; \u2248 86cm). Keep offcuts for gauges and spacers. <\/li>\n\n\n\n<li>Thin the headstock area to ~1.25\u20131.5cm so tuners clear. For 3\u2011string, headstock length ~11\u201312cm. <\/li>\n\n\n\n<li>Mark cut lines first; use relief cuts + chisel on hard woods; smooth with file and sandpaper.<\/li>\n<\/ul>\n\n\n\n<figure class=\"wp-block-image alignnone size-full wp-image-5720\"><a href=\"https:\/\/theownerbuildernetwork.co\/project\/files\/2016\/11\/Guitar-Neck.jpg\"><img decoding=\"async\" width=\"650\" height=\"431\" src=\"https:\/\/theownerbuildernetwork.co\/project\/files\/2016\/11\/Guitar-Neck.jpg\" alt=\"100 cm hardwood neck blank for a 3-string cigar box guitar\" class=\"wp-image-5720\" srcset=\"https:\/\/theownerbuildernetwork.co\/project\/files\/2016\/11\/Guitar-Neck.jpg 650w, https:\/\/theownerbuildernetwork.co\/project\/files\/2016\/11\/Guitar-Neck-300x199.jpg 300w\" sizes=\"(max-width: 650px) 100vw, 650px\" \/><\/a><figcaption class=\"wp-element-caption\">Guitar Neck \u2014 100 cm of straight-grained hardwood is ideal for making a CBG neck.<\/figcaption><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\">Step 2: Thin the Headstock<\/h4>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Mark a headstock length of 11\u201312 cm (for a 3\u2011string). <\/li>\n\n\n\n<li>Thin the headstock to 12.5\u201315 mm so tuners can fit and turn freely. <\/li>\n\n\n\n<li>If cutting is difficult (dense, dry hardwood), make closely spaced saw kerfs down to depth, then remove waste with a sharp chisel. <\/li>\n\n\n\n<li>Smooth with a rasp\/file and sandpaper.<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Tip: Mark your cut lines clearly before sawing.<\/p>\n\n\n\n<figure class=\"wp-block-image alignnone size-full wp-image-5721\"><a href=\"https:\/\/theownerbuildernetwork.co\/project\/files\/2016\/11\/Mark-head-cutout1.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"625\" height=\"353\" src=\"https:\/\/theownerbuildernetwork.co\/project\/files\/2016\/11\/Mark-head-cutout1.jpg\" alt=\"Marking the headstock area to be thinned on a cigar box guitar neck\" class=\"wp-image-5721\" srcset=\"https:\/\/theownerbuildernetwork.co\/project\/files\/2016\/11\/Mark-head-cutout1.jpg 625w, https:\/\/theownerbuildernetwork.co\/project\/files\/2016\/11\/Mark-head-cutout1-300x169.jpg 300w\" sizes=\"(max-width: 625px) 100vw, 625px\" \/><\/a><figcaption class=\"wp-element-caption\">Mark Head Cutout \u2014 Mark the area to remove on the headstock before cutting to ensure even thickness.<\/figcaption><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\">Step 3: Cut the Headstock Step (If Not Using a Scarf Joint)<\/h4>\n\n\n\n<ul class=\"wp-block-list\">\n<li>After marking the headstock recess, saw along the lines to remove the step. <\/li>\n\n\n\n<li>Clean up the cut with a chisel\/rasp and sand smooth so the hardware sits flat.<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Note: A straight headstock with a thin step is fine for most 3\u2011string CBGs.<\/p>\n\n\n\n<figure class=\"wp-block-image alignnone size-full wp-image-5722\"><img loading=\"lazy\" decoding=\"async\" width=\"625\" height=\"414\" src=\"http:\/\/project.theownerbuildernetwork.co\/files\/2016\/11\/Headstock-cutout2.jpg\" alt=\"Headstock thinned step for tuner clearance on a CBG neck\" class=\"wp-image-5722\" srcset=\"https:\/\/theownerbuildernetwork.co\/project\/files\/2016\/11\/Headstock-cutout2.jpg 625w, https:\/\/theownerbuildernetwork.co\/project\/files\/2016\/11\/Headstock-cutout2-300x199.jpg 300w\" sizes=\"(max-width: 625px) 100vw, 625px\" \/><figcaption class=\"wp-element-caption\">Headstock Cutout \u2014 The headstock should be thinned to about 1.25\u20131.5 cm so machine heads can pass through and operate freely.<\/figcaption><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\">Body Cut-Out (Neck Pass-Through in the Box)<\/h3>\n\n\n\n<h4 class=\"wp-block-heading\">Step 4: Mark the Box<\/h4>\n\n\n\n<ol class=\"wp-block-list\">\n<li>Find and mark the center of the two box sides where the neck will pass through.<\/li>\n\n\n\n<li>Use a neck offcut: mark its center, align with the box center marks, and trace the neck profile on both sides.<\/li>\n<\/ol>\n\n\n\n<p class=\"wp-block-paragraph\">Tip: Always verify the artwork orientation and which side the neck exits so the lid hinges from the top and the art is upright.<\/p>\n\n\n\n<figure class=\"wp-block-image alignnone size-full wp-image-5723\"><img loading=\"lazy\" decoding=\"async\" width=\"625\" height=\"414\" src=\"http:\/\/project.theownerbuildernetwork.co\/files\/2016\/11\/measuring-with-cutoff-21.jpg\" alt=\"Using a neck offcut to trace the neck pass-through on a cigar box\" class=\"wp-image-5723\" srcset=\"https:\/\/theownerbuildernetwork.co\/project\/files\/2016\/11\/measuring-with-cutoff-21.jpg 625w, https:\/\/theownerbuildernetwork.co\/project\/files\/2016\/11\/measuring-with-cutoff-21-300x199.jpg 300w\" sizes=\"(max-width: 625px) 100vw, 625px\" \/><figcaption class=\"wp-element-caption\">Body Cut-Out \u2014 Use a neck offcut to accurately trace the neck pass\u2011through on both box sides.<\/figcaption><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\">Step 5: Cut the Box Openings<\/h4>\n\n\n\n<ol class=\"wp-block-list\">\n<li>Cut slightly inside your lines; test fit the neck.<\/li>\n\n\n\n<li>Enlarge carefully with a file for a snug fit.<\/li>\n\n\n\n<li>The neck should sit flush with the top edge of the box.<\/li>\n<\/ol>\n\n\n\n<figure class=\"wp-block-image alignnone size-full wp-image-5724\"><img loading=\"lazy\" decoding=\"async\" width=\"625\" height=\"414\" src=\"http:\/\/project.theownerbuildernetwork.co\/files\/2016\/11\/body-cutouts1.jpg\" alt=\"Sawing box side cutouts and enlarging cautiously with a file\" class=\"wp-image-5724\" srcset=\"https:\/\/theownerbuildernetwork.co\/project\/files\/2016\/11\/body-cutouts1.jpg 625w, https:\/\/theownerbuildernetwork.co\/project\/files\/2016\/11\/body-cutouts1-300x199.jpg 300w\" sizes=\"(max-width: 625px) 100vw, 625px\" \/><figcaption class=\"wp-element-caption\">Cut inside the lines \u2014 Start conservatively; it\u2019s easier to remove material than add it. Enlarge slowly with a file for a snug fit.<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Note: This build relies on friction and string tension \u2014 accuracy matters.<\/p>\n\n\n\n<figure class=\"wp-block-image alignnone size-full wp-image-5725\"><img loading=\"lazy\" decoding=\"async\" width=\"625\" height=\"414\" src=\"http:\/\/project.theownerbuildernetwork.co\/files\/2016\/11\/neck-through-cutouts1.jpg\" alt=\"Neck dry-fitted through the cigar box, flush with the top\" class=\"wp-image-5725\" srcset=\"https:\/\/theownerbuildernetwork.co\/project\/files\/2016\/11\/neck-through-cutouts1.jpg 625w, https:\/\/theownerbuildernetwork.co\/project\/files\/2016\/11\/neck-through-cutouts1-300x199.jpg 300w\" sizes=\"(max-width: 625px) 100vw, 625px\" \/><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\">Neck Cut-Out (Lid Recess So the Box Can Close)<\/h3>\n\n\n\n<h4 class=\"wp-block-heading\">Step 6: Position the Neck and Mark the Lid Recess<\/h4>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Measure lid thickness (use a cut-off from the box as a depth gauge) and mark the recess depth on both sides of the neck.<\/li>\n\n\n\n<li>Dry-fit the neck through the box. Aim for the tail to sit about 5 cm from the box end for good bridge\/tail spacing.<\/li>\n\n\n\n<li>Mark the inside edges of the box on the neck.<\/li>\n<\/ul>\n\n\n\n<figure class=\"wp-block-image alignnone size-full wp-image-5726\"><img loading=\"lazy\" decoding=\"async\" width=\"625\" height=\"414\" src=\"http:\/\/project.theownerbuildernetwork.co\/files\/2016\/11\/mark-inside-edge-31.jpg\" alt=\"Neck dry-fitted through the cigar box, flush with the top\" class=\"wp-image-5726\" srcset=\"https:\/\/theownerbuildernetwork.co\/project\/files\/2016\/11\/mark-inside-edge-31.jpg 625w, https:\/\/theownerbuildernetwork.co\/project\/files\/2016\/11\/mark-inside-edge-31-300x199.jpg 300w, https:\/\/theownerbuildernetwork.co\/project\/files\/2016\/11\/mark-inside-edge-31-600x397.jpg 600w\" sizes=\"(max-width: 625px) 100vw, 625px\" \/><figcaption class=\"wp-element-caption\">Test Fit \u2014 The neck should fit snugly and sit flush with the top edge of the box for strength and good action.<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">With most boxes, you can use a cut-off from where you made the cigar box guitar body cuts as a depth measure for those cuts.<\/p>\n\n\n\n<figure class=\"wp-block-image alignnone size-full wp-image-5727\"><img loading=\"lazy\" decoding=\"async\" width=\"625\" height=\"414\" src=\"http:\/\/project.theownerbuildernetwork.co\/files\/2016\/11\/cutoff-depth-gauge1.jpg\" alt=\"Using a lid offcut as a depth gauge for the neck lid recess\" class=\"wp-image-5727\" srcset=\"https:\/\/theownerbuildernetwork.co\/project\/files\/2016\/11\/cutoff-depth-gauge1.jpg 625w, https:\/\/theownerbuildernetwork.co\/project\/files\/2016\/11\/cutoff-depth-gauge1-300x199.jpg 300w\" sizes=\"(max-width: 625px) 100vw, 625px\" \/><figcaption class=\"wp-element-caption\">Cut-off Depth Gauge \u2014 Use a box offcut to measure lid thickness and mark an accurate recess depth on the neck.<\/figcaption><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\">Step 7: Cut the Lid Recess in the Neck<\/h4>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Go slowly and keep the fit tight for strength.<\/li>\n\n\n\n<li>Use guide saw kerfs to the marked depth; remove waste with a chisel.<\/li>\n\n\n\n<li>File\/rasp and sand until the lid sits snug and flush when closed.<\/li>\n<\/ul>\n\n\n\n<figure class=\"wp-block-image is-resized alignnone size-full wp-image-5728\"><img loading=\"lazy\" decoding=\"async\" width=\"625\" height=\"414\" src=\"http:\/\/project.theownerbuildernetwork.co\/files\/2016\/11\/lid-cutout-chisel-technique-21.jpg\" alt=\"Marking the lid recess on the neck using the box\u2019s inside edges\" class=\"wp-image-5728\" style=\"width:800px;height:auto\" srcset=\"https:\/\/theownerbuildernetwork.co\/project\/files\/2016\/11\/lid-cutout-chisel-technique-21.jpg 625w, https:\/\/theownerbuildernetwork.co\/project\/files\/2016\/11\/lid-cutout-chisel-technique-21-300x199.jpg 300w\" sizes=\"(max-width: 625px) 100vw, 625px\" \/><figcaption class=\"wp-element-caption\">Neck Cut-Out \u2014 With the neck ideally positioned, mark the inside edges of the box onto the neck to define the lid recess.<\/figcaption><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\">Tailpiece (Hinge Method)<\/h3>\n\n\n\n<h4 class=\"wp-block-heading\">Step 8: Prepare the Hinge Tailpiece<\/h4>\n\n\n\n<ol class=\"wp-block-list\">\n<li>Drill three string holes in a small brass hinge using a 1\/16&#8243; or 3\/32&#8243; bit\u2014large enough for strings, but small enough to catch the brass ball-ends.<\/li>\n\n\n\n<li>If you lack a small bit, a fine nail can be used carefully to start holes.<\/li>\n<\/ol>\n\n\n\n<figure class=\"wp-block-image alignnone size-full wp-image-5729\"><img loading=\"lazy\" decoding=\"async\" width=\"625\" height=\"414\" src=\"http:\/\/project.theownerbuildernetwork.co\/files\/2016\/11\/hinge-with-holes1.jpg\" alt=\"Brass hinge tailpiece mounted on the rear of the neck\" class=\"wp-image-5729\" srcset=\"https:\/\/theownerbuildernetwork.co\/project\/files\/2016\/11\/hinge-with-holes1.jpg 625w, https:\/\/theownerbuildernetwork.co\/project\/files\/2016\/11\/hinge-with-holes1-300x199.jpg 300w\" sizes=\"(max-width: 625px) 100vw, 625px\" \/><figcaption class=\"wp-element-caption\">Hinge with Holes \u2014 Drill small string holes so string ball-ends catch (1\/16&#8243;\u20133\/32&#8243;). Test with a spare string.<\/figcaption><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\">Step 9: Mount the Tailpiece<\/h4>\n\n\n\n<ol class=\"wp-block-list\">\n<li>Screw the hinge to the rear face of the neck at the tail so it wraps around the end.<\/li>\n\n\n\n<li>Pre\u2011drill all screw holes to prevent splitting.<\/li>\n<\/ol>\n\n\n\n<figure class=\"wp-block-image alignnone size-full wp-image-5730\"><img loading=\"lazy\" decoding=\"async\" width=\"625\" height=\"414\" src=\"http:\/\/project.theownerbuildernetwork.co\/files\/2016\/11\/hinge-tailpiece-attached1.jpg\" alt=\"Hinge Tail Piece\" class=\"wp-image-5730\" srcset=\"https:\/\/theownerbuildernetwork.co\/project\/files\/2016\/11\/hinge-tailpiece-attached1.jpg 625w, https:\/\/theownerbuildernetwork.co\/project\/files\/2016\/11\/hinge-tailpiece-attached1-300x199.jpg 300w\" sizes=\"(max-width: 625px) 100vw, 625px\" \/><figcaption class=\"wp-element-caption\">Hinge Tailpiece \u2014 Attach the hinge to the rear of the neck so it wraps the end. Pre\u2011drill to avoid splitting.<\/figcaption><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\">Machine Heads (tuners)<\/h3>\n\n\n\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"625\" height=\"414\" src=\"http:\/\/project.theownerbuildernetwork.co\/files\/2016\/11\/Machine-Heads2.jpg\" alt=\"Three machine heads for a 3-string cigar box guitar\" class=\"wp-image-5719\" srcset=\"https:\/\/theownerbuildernetwork.co\/project\/files\/2016\/11\/Machine-Heads2.jpg 625w, https:\/\/theownerbuildernetwork.co\/project\/files\/2016\/11\/Machine-Heads2-300x199.jpg 300w\" sizes=\"(max-width: 625px) 100vw, 625px\" \/><figcaption class=\"wp-element-caption\">Machine Heads \u2014 Tuners allow precise tuning. Plan orientation so all turn consistently and strings don\u2019t crowd.<\/figcaption><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\">Step 10: Plan Tuner Orientation and Layout<\/h4>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Determine tuning direction:\n<ul class=\"wp-block-list\">\n<li>Open\/external gears should face the body so all tuners turn the same way.<\/li>\n\n\n\n<li>Planetary tuners generally all turn the same direction.<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n\n\n\n<figure class=\"wp-block-image alignnone size-full wp-image-5731\"><img loading=\"lazy\" decoding=\"async\" width=\"625\" height=\"940\" src=\"http:\/\/project.theownerbuildernetwork.co\/files\/2016\/11\/gears-towards-body-21.jpg\" alt=\"Externally geared tuners shown facing the body orientation\" class=\"wp-image-5731\" srcset=\"https:\/\/theownerbuildernetwork.co\/project\/files\/2016\/11\/gears-towards-body-21.jpg 625w, https:\/\/theownerbuildernetwork.co\/project\/files\/2016\/11\/gears-towards-body-21-199x300.jpg 199w\" sizes=\"(max-width: 625px) 100vw, 625px\" \/><figcaption class=\"wp-element-caption\">Guitar Gears \u2014 For open\/external gears, point the gears toward the body so all tuners rotate the same way.<\/figcaption><\/figure>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Mark drill points:\n<ul class=\"wp-block-list\">\n<li>Two tuners on one side: evenly spaced, ~25\u201330 mm from each headstock end and ~10 mm from the edge.<\/li>\n\n\n\n<li>One tuner on the opposite side: centered along the length, ~10 mm from the edge.<\/li>\n<\/ul>\n<\/li>\n\n\n\n<li>Double-check spacing so strings won\u2019t crowd.<\/li>\n<\/ul>\n\n\n\n<figure class=\"wp-block-image alignnone size-full wp-image-5732\"><img loading=\"lazy\" decoding=\"async\" width=\"625\" height=\"940\" src=\"http:\/\/project.theownerbuildernetwork.co\/files\/2016\/11\/machine-head-placement1.jpg\" alt=\"Marking tuner hole positions on a headstock for 3-string layout\" class=\"wp-image-5732\" srcset=\"https:\/\/theownerbuildernetwork.co\/project\/files\/2016\/11\/machine-head-placement1.jpg 625w, https:\/\/theownerbuildernetwork.co\/project\/files\/2016\/11\/machine-head-placement1-199x300.jpg 199w\" sizes=\"(max-width: 625px) 100vw, 625px\" \/><figcaption class=\"wp-element-caption\">Machine Head Placement \u2014 Mark two tuners on one side (25\u201330 mm in from ends, ~10 mm from edge) and one on the other (~10 mm from edge).<\/figcaption><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\">Step 11: Drill Tuner Holes<\/h4>\n\n\n\n<ol class=\"wp-block-list\">\n<li>If bushings require countersinks, wrap electrical tape on your bit to set the depth.<\/li>\n\n\n\n<li>Drill pilot holes, then to the final diameter per your tuners.<\/li>\n\n\n\n<li>Pre\u2011drill tiny holes for tuner screws; they\u2019re small and need a pilot.<\/li>\n<\/ol>\n\n\n\n<figure class=\"wp-block-image alignnone size-full wp-image-5733\"><img loading=\"lazy\" decoding=\"async\" width=\"625\" height=\"414\" src=\"http:\/\/project.theownerbuildernetwork.co\/files\/2016\/11\/wrapped-drill-for-countersinking1.jpg\" alt=\"Drill bit wrapped with tape to limit countersink depth\" class=\"wp-image-5733\" srcset=\"https:\/\/theownerbuildernetwork.co\/project\/files\/2016\/11\/wrapped-drill-for-countersinking1.jpg 625w, https:\/\/theownerbuildernetwork.co\/project\/files\/2016\/11\/wrapped-drill-for-countersinking1-300x199.jpg 300w\" sizes=\"(max-width: 625px) 100vw, 625px\" \/><figcaption class=\"wp-element-caption\">Wrapped Drill \u2014 Wrap tape on the bit as a depth stop for countersinking bushings without drilling through.<\/figcaption><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\">Step 12: Cut the Nut Groove<\/h4>\n\n\n\n<ol class=\"wp-block-list\">\n<li>File a shallow groove for a threaded-rod or bolt nut 3\u20135 mm from the headstock step.<\/li>\n\n\n\n<li>A round file is ideal; a dowel or pencil wrapped in coarse sandpaper also works.<\/li>\n<\/ol>\n\n\n\n<figure class=\"wp-block-image alignnone size-full wp-image-5734\"><img loading=\"lazy\" decoding=\"async\" width=\"625\" height=\"940\" src=\"http:\/\/project.theownerbuildernetwork.co\/files\/2016\/11\/machine-heads-installed-nut-groove-filed1.jpg\" alt=\"Nut groove filed near headstock step on a CBG neck\" class=\"wp-image-5734\" srcset=\"https:\/\/theownerbuildernetwork.co\/project\/files\/2016\/11\/machine-heads-installed-nut-groove-filed1.jpg 625w, https:\/\/theownerbuildernetwork.co\/project\/files\/2016\/11\/machine-heads-installed-nut-groove-filed1-199x300.jpg 199w\" sizes=\"(max-width: 625px) 100vw, 625px\" \/><figcaption class=\"wp-element-caption\">Machine Heads \u2014 The nut sits 3\u20135 mm from the headstock step; a round file makes a clean groove for a bolt or rod nut.<\/figcaption><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\">Sound Holes<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">There&#8217;s one final task before you can put your cigar box guitar together \u2013 you need to make some sound holes. <\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Step 13: Add Sound Holes<\/h4>\n\n\n\n<ol class=\"wp-block-list\">\n<li>Drill or cut 1 to 4 sound holes (number and placement are flexible).<\/li>\n\n\n\n<li>Options: simple round holes, F\u2011holes, or add grommets\/bushings to protect edges and enhance looks.<\/li>\n<\/ol>\n\n\n\n<figure class=\"wp-block-image alignnone wp-image-5735 size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"625\" height=\"414\" src=\"http:\/\/project.theownerbuildernetwork.co\/files\/2016\/11\/four-sound-holes1.jpg\" alt=\"Cigar box top with multiple round sound holes\" class=\"wp-image-5735\" srcset=\"https:\/\/theownerbuildernetwork.co\/project\/files\/2016\/11\/four-sound-holes1.jpg 625w, https:\/\/theownerbuildernetwork.co\/project\/files\/2016\/11\/four-sound-holes1-300x199.jpg 300w\" sizes=\"(max-width: 625px) 100vw, 625px\" \/><figcaption class=\"wp-element-caption\">Sound Holes \u2014 One to four holes work well; placement is flexible. Even small holes help \u201copen up\u201d the sound.<\/figcaption><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\">Quick Checks Before Assembly<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li>The neck top is flush with the box top.<\/li>\n\n\n\n<li>Headstock is thinned enough for tuners and washers\/bushings.<\/li>\n\n\n\n<li>Neck pass-through is snug; lid closes fully with the recess.<\/li>\n\n\n\n<li>Tailpiece is secure; string path is straight from tail through nut to bridge.<\/li>\n\n\n\n<li>Box art is oriented correctly; lid hinges at the top.<\/li>\n<\/ul>\n\n\n\n<figure class=\"wp-block-image alignnone wp-image-5736 size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"625\" height=\"414\" src=\"http:\/\/project.theownerbuildernetwork.co\/files\/2016\/11\/sound-holes-with-ventilation-grommets1.jpg\" alt=\"Brass grommets installed in sound holes of a cigar box guitar\" class=\"wp-image-5736\" srcset=\"https:\/\/theownerbuildernetwork.co\/project\/files\/2016\/11\/sound-holes-with-ventilation-grommets1.jpg 625w, https:\/\/theownerbuildernetwork.co\/project\/files\/2016\/11\/sound-holes-with-ventilation-grommets1-300x199.jpg 300w\" sizes=\"(max-width: 625px) 100vw, 625px\" \/><figcaption class=\"wp-element-caption\">Sound Hole Protection \u2014 Grommets or bushings protect edges from wear and add a clean, finished look.<\/figcaption><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\">Final Assembly<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Fit all components loosely first \u2014 neck through box, hinge tailpiece, tuners, nut, and bridge. Confirm straight string alignment and full lid closure. Only then tighten screws and begin stringing.<\/p>\n\n\n\n<figure class=\"wp-block-image alignnone wp-image-5738 size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"625\" height=\"414\" src=\"http:\/\/project.theownerbuildernetwork.co\/files\/2016\/11\/nearly-done.jpg\" alt=\"Assembled dry-fit of neck, box, and hardware showing alignment\" class=\"wp-image-5738\" srcset=\"https:\/\/theownerbuildernetwork.co\/project\/files\/2016\/11\/nearly-done.jpg 625w, https:\/\/theownerbuildernetwork.co\/project\/files\/2016\/11\/nearly-done-300x199.jpg 300w\" sizes=\"(max-width: 625px) 100vw, 625px\" \/><figcaption class=\"wp-element-caption\">Final Fit Checks \u2014 Neck flush with top, snug pass\u2011through, full lid closure, straight string path, correct artwork orientation.<\/figcaption><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\">Stringing and Tuning (Clear, concise, and more precise)<\/h3>\n\n\n\n<h4 class=\"wp-block-heading\">Step 14: Place the Nut and Bridge (Rough Position)<\/h4>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Nut: Seat the threaded rod\/bolt in the nut groove 3\u20135 mm from the headstock step. Ensure it\u2019s centered and stable.<\/li>\n\n\n\n<li>Bridge: Start with the bridge about 70 mm from the tail edge of the box on medium-size boxes. You\u2019ll fine\u2011tune this during intonation.<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Tip: Use a small strip of thin rubber, felt, or heat\u2011shrink on the bridge rod if it rattles on the lid.<\/p>\n\n\n\n<figure class=\"wp-block-image alignnone wp-image-5739 size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"625\" height=\"267\" src=\"http:\/\/project.theownerbuildernetwork.co\/files\/2016\/11\/strung1.jpg\" alt=\"String path from tailpiece over bridge and nut to tuners\" class=\"wp-image-5739\" srcset=\"https:\/\/theownerbuildernetwork.co\/project\/files\/2016\/11\/strung1.jpg 625w, https:\/\/theownerbuildernetwork.co\/project\/files\/2016\/11\/strung1-300x128.jpg 300w\" sizes=\"(max-width: 625px) 100vw, 625px\" \/><figcaption class=\"wp-element-caption\">Stringing \u2014 Feed strings through the hinge, over the bridge and nut, into the tuners. Tune from low to high to distribute tension evenly.<\/figcaption><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\">Step 15: String The Guitar<\/h4>\n\n\n\n<ol class=\"wp-block-list\">\n<li>Feed each string through the hinge tailpiece holes from back to front.<\/li>\n\n\n\n<li>Route over the bridge, straight down the neck, over the nut, and into the tuner posts.<\/li>\n\n\n\n<li>Lock the strings:\n<ul class=\"wp-block-list\">\n<li>Pull taut, leave 5\u20137 cm slack.<\/li>\n\n\n\n<li>Bend at 90\u00b0 and feed through the tuner hole.<\/li>\n\n\n\n<li>Wrap neat, downward coils as you wind.<\/li>\n<\/ul>\n<\/li>\n<\/ol>\n\n\n\n<p class=\"wp-block-paragraph\">Tip: Wind from the inside of the headstock outwards so strings don\u2019t rub against each other.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Step 16: Initial Tension and Action Check (Before Full Tuning)<\/h4>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Bring each string to a gentle, low tension in order: low \u2192 middle \u2192 high.<\/li>\n\n\n\n<li>Check action:\n<ul class=\"wp-block-list\">\n<li>Slide\/lap style: higher action is OK (bridge\/nut can stay as-is).<\/li>\n\n\n\n<li>Fretting style: if too high at the nut, deepen the nut groove slightly with a round file. If too high overall, try a thinner bridge rod or shim under the neck within the box to adjust height.<\/li>\n<\/ul>\n<\/li>\n\n\n\n<li>Ensure strings track straight over nut and bridge (no sideways pull).<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Tip: If a string buzzes at the nut, raise that slot slightly (shim the nut) or file a fresher slot with a gentler ramp towards the tuners.<\/p>\n\n\n\n<figure class=\"wp-block-image alignnone size-full wp-image-5740\"><img loading=\"lazy\" decoding=\"async\" width=\"625\" height=\"940\" src=\"http:\/\/project.theownerbuildernetwork.co\/files\/2016\/11\/threaded-nut.jpg\" alt=\"Finished three-string cigar box guitar with strike-through neck\" class=\"wp-image-5740\" srcset=\"https:\/\/theownerbuildernetwork.co\/project\/files\/2016\/11\/threaded-nut.jpg 625w, https:\/\/theownerbuildernetwork.co\/project\/files\/2016\/11\/threaded-nut-199x300.jpg 199w\" sizes=\"(max-width: 625px) 100vw, 625px\" \/><figcaption class=\"wp-element-caption\">Finished 3\u2011String CBG \u2014 Strike-through neck, hinge tailpiece, open\u2011G tuning (G\u2013D\u2013g).<\/figcaption><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\">Step 17: Tune to Pitch<\/h4>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Common tunings:\n<ul class=\"wp-block-list\">\n<li>Open G (G\u2013D\u2013g) \u2014 most common<\/li>\n\n\n\n<li>Open D (D\u2013A\u2013d)<\/li>\n\n\n\n<li>g\u2013b\u2013d (higher, bright)<\/li>\n<\/ul>\n<\/li>\n\n\n\n<li>Tune from low to high string to distribute tension evenly.<\/li>\n\n\n\n<li>Stretch strings gently (pull up at 12th fret area) and retune 2\u20133 times to stabilize.<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Tip: If the bridge slides while tuning, lightly mark its current spot with low\u2011tack tape on the lid so you can compare before\/after intonation tweaks.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Step 18: Set Intonation (Quick Method)<\/h4>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Fretless reference method (works for slide and fretless builds):\n<ol class=\"wp-block-list\">\n<li>Tune the open middle string (D in G\u2013D\u2013g) to pitch.<\/li>\n\n\n\n<li>Lightly touch at the 12th \u201cfret\u201d position (midpoint of scale) to make a harmonic; compare to the fretted note at the same position (press directly over where the 12th fret would be, or use your slide).<\/li>\n\n\n\n<li>If the fretted note is sharp, move the bridge slightly back (away from the nut). If flat, move it forward.<\/li>\n\n\n\n<li>Retune the open string and recheck. Repeat for the other two strings.<\/li>\n<\/ol>\n<\/li>\n\n\n\n<li>Mark the final bridge position with a faint pencil line inside the box art border so you can return to it later.<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Tip: <\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>For simple builds, perfect intonation isn\u2019t critical; prioritize a pleasing chord sound up the neck where you\u2019ll actually play. See this <a href=\"https:\/\/www.youtube.com\/watch?v=jy04bkM_JSc&amp;feature=related\" target=\"_blank\" rel=\"noreferrer noopener\">beginner\u2019s tuning and setup guide<\/a>.<\/li>\n\n\n\n<li>Hint: On a 34\u2033 (~864 mm) scale, the 12th position is ~432 mm from the nut.<\/li>\n<\/ul>\n\n\n\n<h4 class=\"wp-block-heading\">Step 19: Final Action and Feel<\/h4>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Slide players: Ensure no fretted buzz; slightly higher bridge is fine.<\/li>\n\n\n\n<li>Fretting players: Aim for an even feel along the neck. If high near the nut, deepen nut slots a touch; if high everywhere, try a lower bridge rod. If still high, reduce the lid recess shim or deepen the neck recess (last resort).<\/li>\n\n\n\n<li>Check for rattles:\n<ul class=\"wp-block-list\">\n<li>Tighten loose tuner screws and bushing nuts.<\/li>\n\n\n\n<li>Confirm hinge screws are snug.<\/li>\n\n\n\n<li>Add a small felt piece under the tailpiece if the hinge plate vibrates on the wood.<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Tip: A tiny drop of graphite (pencil lead) in nut slots helps tuning stability.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Step 20: Playability Markers<\/h4>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Quickly mark the 5th, 7th, and 12th positions with a pencil or a fine paint dot on the neck edge. These are common slide targets.<\/li>\n\n\n\n<li>Optional: Add stick\u2011on dots or burn marks for durability.<\/li>\n<\/ul>\n\n\n\n<h4 class=\"wp-block-heading\">Troubleshooting Quick Guide<\/h4>\n\n\n\n<ul class=\"wp-block-list\">\n<li>String buzz (open): Nut slot too low or rod not fully seated \u2014 shim nut slightly or recut slot cleanly.<\/li>\n\n\n\n<li>Buzz (along neck): Action too low \u2014 raise the bridge a little or check for rattling hardware.<\/li>\n\n\n\n<li>Dead\/muted tone: Bridge\/nut not bearing cleanly \u2014 rotate rod, ensure single line of contact on the string.<\/li>\n\n\n\n<li>Tuning drift: More initial stretch needed; lubricate nut slots; ensure neat tuner wraps (2\u20134 wraps per post).<\/li>\n<\/ul>\n\n\n\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"650\" height=\"866\" src=\"http:\/\/project.theownerbuildernetwork.co\/files\/2016\/11\/Guitar-Collection.jpg\" alt=\"Guitar Collection\" class=\"wp-image-5737\" srcset=\"https:\/\/theownerbuildernetwork.co\/project\/files\/2016\/11\/Guitar-Collection.jpg 650w, https:\/\/theownerbuildernetwork.co\/project\/files\/2016\/11\/Guitar-Collection-225x300.jpg 225w\" sizes=\"(max-width: 650px) 100vw, 650px\" \/><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\">Safety and Accuracy Tips:<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Cut conservatively; it\u2019s easier to remove material than add it.<\/li>\n\n\n\n<li>Use depth stops\/tape on drill bits.<\/li>\n\n\n\n<li>Pre\u2011drill all screw holes.<\/li>\n\n\n\n<li>Test fit frequently; file\/rasp slowly for tight fits.<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">FAQ: Cigar Box Guitar (3\u2011String, Strike\u2011Through)<\/h3>\n\n\n\n<ol class=\"wp-block-list\">\n<li><strong>What wood is best for the neck?<\/strong>\n<ul class=\"wp-block-list\">\n<li>Straight\u2011grained hardwoods like maple, oak, jarrah, or ash. Avoid softwoods (they dent) and warped stock (causes tuning and action issues).<\/li>\n<\/ul>\n<\/li>\n\n\n\n<li><strong>Do I need power tools to build this?<\/strong>\n<ul class=\"wp-block-list\">\n<li>No. A hand saw, hand drill, files\/rasps, sandpaper, and clamps are enough. Power tools speed things up but aren\u2019t required.<\/li>\n<\/ul>\n<\/li>\n\n\n\n<li><strong>What string gauges should I use?<\/strong>\n<ul class=\"wp-block-list\">\n<li>Open G (G\u2013D\u2013g): approx .042\u2013.032\u2013.024<\/li>\n\n\n\n<li>Open D (D\u2013A\u2013d): approx .038\u2013.028\u2013.020<\/li>\n\n\n\n<li>Higher tuning (g\u2013b\u2013d): go a bit lighter to reduce tension. Use strings 5\u20134\u20133 from a standard 6\u2011string set as a simple rule.<\/li>\n<\/ul>\n<\/li>\n\n\n\n<li><strong>How high should the action be?<\/strong>\n<ul class=\"wp-block-list\">\n<li>Slide\/lap style: medium\u2011high is fine.<\/li>\n\n\n\n<li>Fretting style: lower action by slightly deepening nut slots and\/or using a thinner bridge rod. Aim for clean notes without buzz; adjust by ear and feel.<\/li>\n<\/ul>\n<\/li>\n\n\n\n<li><strong>Where should I place the bridge?<\/strong>\n<ul class=\"wp-block-list\">\n<li>Start about 70 mm from the tail edge on a medium box, then fine\u2011tune with intonation: if fretted 12th is sharp, move the bridge back; if flat, move it forward. Mark the final spot lightly with pencil.<\/li>\n<\/ul>\n<\/li>\n\n\n\n<li><strong>Do I need frets?<\/strong>\n<ul class=\"wp-block-list\">\n<li>No. Many CBGs are fretless and played with a slide. If you want frets, add stick\u2011on markers or a pre\u2011slotted fretboard later. At minimum, mark 5th, 7th, and 12th positions.<\/li>\n<\/ul>\n<\/li>\n\n\n\n<li><strong>Why are my strings buzzing or not staying in tune?<\/strong>\n<ul class=\"wp-block-list\">\n<li>Common causes: nut slots too low or rough (shim or recut and add graphite), bridge rod not making a clean contact edge (rotate or replace), loose hardware (tighten tuners\/hinge screws), or strings not properly stretched (stretch and retune 2\u20133 times).<\/li>\n<\/ul>\n<\/li>\n<\/ol>\n\n\n\n<h2 class=\"wp-block-heading\">Final Thoughts<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">You\u2019re done. With the bridge set, action dialed, and strings stable, your 3\u2011string CBG is ready to sing. Explore Open G for gritty blues riffs, try Open D for slide ballads, and mark your favorite positions as you go. No two cigar box guitars sound the same \u2014 that\u2019s the magic you just built.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Previously published in Australian Guitar magazine #93!<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">We have more fun instrument ideas. Check out our <a href=\"https:\/\/project.theownerbuildernetwork.co\/2017\/01\/19\/old-drum-set-into-a-unique-chandelier\/\">drum set chandelier<\/a>!<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>At a Glance Why a Cigar Box Guitar? Before we start into the actual construction of a Cigar Box Guitar, I should probably explain what a CBG actually is. Like the name suggests, a CBG is a small, playable guitar with a body constructed from a cigar box. Cigar Box Guitars have a long and [&hellip;]<\/p>\n","protected":false},"author":13564,"featured_media":5741,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_seopress_titles_title":"How to Build a Cigar Box Guitar With 3 Strings","_seopress_titles_desc":"How to build a cigar box guitar: A clear 3\u2011string, strike\u2011through DIY guide with tools, materials, steps, tuning, and setup tips for great sound.","_seopress_robots_index":"","_seopress_robots_follow":"","_seopress_robots_imageindex":"","_seopress_robots_snippet":"","_seopress_robots_primary_cat":"none","_seopress_robots_breadcrumbs":"","_seopress_robots_freeze_modified_date":"","_seopress_robots_custom_modified_date":"","_seopress_robots_canonical":"","_seopress_social_fb_title":"","_seopress_social_fb_desc":"","_seopress_social_fb_img":"","_seopress_social_fb_img_attachment_id":0,"_seopress_social_fb_img_width":0,"_seopress_social_fb_img_height":0,"_seopress_social_twitter_title":"","_seopress_social_twitter_desc":"","_seopress_social_twitter_img":"","_seopress_social_twitter_img_attachment_id":0,"_seopress_social_twitter_img_width":0,"_seopress_social_twitter_img_height":0,"_seopress_redirections_value":"","_seopress_redirections_enabled":"","_seopress_redirections_enabled_regex":"","_seopress_redirections_logged_status":"both","_seopress_redirections_param":"","_seopress_redirections_type":301,"_seopress_analysis_target_kw":"how to build a cigar box guitar","_seopress_news_disabled":"","_seopress_video_disabled":"","_seopress_video":[{"url":"","title":"","desc":"","thumbnail":"","duration":"","rating":"","view_count":"","tag":""}],"_seopress_pro_schemas_manual":[{"_seopress_pro_rich_snippets_type":"faq","_seopress_pro_rich_snippets_faq":{"0":{"question":"What wood is best for the neck?","answer":"Straight\u2011grained hardwoods like maple, oak, jarrah, or ash. Avoid softwoods (they dent) and warped stock (causes tuning and action issues)."},"2":{"question":"Do I need power tools to build this?","answer":"No. A hand saw, hand drill, files\/rasps, sandpaper, and clamps are enough. Power tools speed things up but aren\u2019t required."},"3":{"question":"What string gauges should I use?","answer":"Open G (G\u2013D\u2013g): approx .042\u2013.032\u2013.024\r\nOpen D (D\u2013A\u2013d): approx .038\u2013.028\u2013.020\r\nHigher tuning (g\u2013b\u2013d): go a bit lighter to reduce tension. Use strings 5\u20134\u20133 from a standard 6\u2011string set as a simple rule."},"4":{"question":"How high should the action be?","answer":"Slide\/lap style: medium\u2011high is fine.\r\nFretting style: lower action by slightly deepening nut slots and\/or using a thinner bridge rod. Aim for clean notes without buzz; adjust by ear and feel."},"5":{"question":"Where should I place the bridge?","answer":"Start about 70 mm from the tail edge on a medium box, then fine\u2011tune with intonation: if fretted 12th is sharp, move the bridge back; if flat, move it forward. Mark the final spot lightly with pencil."},"6":{"question":"Do I need frets?","answer":"No. Many CBGs are fretless and played with a slide. If you want frets, add stick\u2011on markers or a pre\u2011slotted fretboard later. At minimum, mark 5th, 7th, and 12th positions."},"7":{"question":"Why are my strings buzzing or not staying in tune?","answer":"Common causes: nut slots too low or rough (shim or recut and add graphite), bridge rod not making a clean contact edge (rotate or replace), loose hardware (tighten tuners\/hinge screws), or strings not properly stretched (stretch and retune 2\u20133 times)."}},"_seopress_pro_rich_snippets_how_to_name":"","_seopress_pro_rich_snippets_how_to_desc":"","_seopress_pro_rich_snippets_how_to_img":"","_seopress_pro_rich_snippets_how_to_img_width":"","_seopress_pro_rich_snippets_how_to_img_height":"","_seopress_pro_rich_snippets_how_to_currency":"","_seopress_pro_rich_snippets_how_to_cost":"","_seopress_pro_rich_snippets_how_to_total_time":"","_seopress_pro_rich_snippets_how_to":[{"name":"","text":"","image":"","width":"","height":""}]},{"_seopress_pro_rich_snippets_type":"articles","_seopress_pro_rich_snippets_article_type":"Article","_seopress_pro_rich_snippets_article_title":"","_seopress_pro_rich_snippets_article_desc":"","_seopress_pro_rich_snippets_article_author":"","_seopress_pro_rich_snippets_article_img":"","_seopress_pro_rich_snippets_article_img_width":"","_seopress_pro_rich_snippets_article_img_height":"","_seopress_pro_rich_snippets_article_coverage_start_date":"","_seopress_pro_rich_snippets_article_coverage_start_time":"","_seopress_pro_rich_snippets_article_coverage_end_date":"","_seopress_pro_rich_snippets_article_coverage_end_time":"","_seopress_pro_rich_snippets_article_speakable_css_selector":""}],"_seopress_pro_rich_snippets_disable_all":"","_seopress_pro_rich_snippets_disable":[],"_seopress_pro_schemas":[],"_lmt_disableupdate":"","_lmt_disable":"","sma_last_campaign_date":"","footnotes":""},"categories":[87],"tags":[],"class_list":["post-5716","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-recycled"],"modified_by":"Rose","_links":{"self":[{"href":"https:\/\/theownerbuildernetwork.co\/project\/wp-json\/wp\/v2\/posts\/5716","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theownerbuildernetwork.co\/project\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/theownerbuildernetwork.co\/project\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/theownerbuildernetwork.co\/project\/wp-json\/wp\/v2\/users\/13564"}],"replies":[{"embeddable":true,"href":"https:\/\/theownerbuildernetwork.co\/project\/wp-json\/wp\/v2\/comments?post=5716"}],"version-history":[{"count":0,"href":"https:\/\/theownerbuildernetwork.co\/project\/wp-json\/wp\/v2\/posts\/5716\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/theownerbuildernetwork.co\/project\/wp-json\/wp\/v2\/media\/5741"}],"wp:attachment":[{"href":"https:\/\/theownerbuildernetwork.co\/project\/wp-json\/wp\/v2\/media?parent=5716"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/theownerbuildernetwork.co\/project\/wp-json\/wp\/v2\/categories?post=5716"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/theownerbuildernetwork.co\/project\/wp-json\/wp\/v2\/tags?post=5716"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}